If you haven't been following or reading the blog Ancient Vaults & Eldritch Secrets by the incomparable bat, you have been missing a cornucopia of unique, new, fresh ideas for original edition/retroclone D&D.
Not only does bat provide a new spell or magic item daily, he also provides an amazingly cool "backstory" featuring a cast of Rogues: Chalk (the ever suffering mage), Koram (about as close to Yeagar from Nodwick as you can get...), Gynbaro (a thief - 'nuff said) and Valence (the creepy Spider cleric - who's taught me how to play a Chaotic cleric). Pursued by Stork and Vistus, the Blue Mage, this band of outlaws rips through more spells and items than you can imagine, but the story never gets old. Bat releases all this material under a Creative Commons Non-Commercial Sharealike license, open to all as long as he gets attribution.
I've started going to his site regularly using google "site" searches keyed on various similarities of his posts - this is because he doesn't tag or categorize his site! :) I don't mind one bit, I'd rather he use that creative force and keep on doing what he does, and I'll be the librarian.
So, for your ease of use, here are links to Google Searches of his site to present an "index" of sorts to bat's amazing collection of spells and magic items. I can't guarantee the searches will be 100% accurate, but they get the job done until Bat goes mad, publishes a book on all this stuff and makes off with at least my money.
Arcane Spells
Level 1
Level 2
Level 3
Level 4
Level 5
Level 6
Level 7
Level 8
Level 9
Level 10
Divine Spells
Level 1
Level 2
Level 3
Level 4
Level 5
Level 6 (none yet as of 11/27/09)
Level 7
Level 8 (none yet as of 11/27/09)
Level 9 (none yet as of 11/27/09)
Level 10 (none yet as of 11/27/09)
Magic Items
Friday, November 27, 2009
Wednesday, November 25, 2009
OD&D Solo game w/wife - Restarting
I needed to get back to what makes me happy - running games. So last night, @theprincesswife and I reviewed where our campaign had taken her character, Aeli and her merry band of henchmen, hirelings and other miscreants... er... followers.
The outcome is that I've started a new Obsidian Portal campaign wiki for the Vale Campaign: http://www.obsidianportal.com/campaign/the-vale-solo-campaign
Tonight, she's plunging back into the Tower of Zenopus to seek books for the sage Nikodemos. She knows that there are goblins and bandits within... I wonder what else she'll find?
The outcome is that I've started a new Obsidian Portal campaign wiki for the Vale Campaign: http://www.obsidianportal.com/campaign/the-vale-solo-campaign
Tonight, she's plunging back into the Tower of Zenopus to seek books for the sage Nikodemos. She knows that there are goblins and bandits within... I wonder what else she'll find?
Monday, November 23, 2009
The Wargaming Roots of D&D - Revisited
(As part of my self-imposed slow-down, I'm reposting some articles from 2009 that I really enjoyed writing or the comments really sparked some places for me to explore. This one, and the subject of wargaming, has never been far from my thoughts. One of the things that I did in 2009 was explore a bit of wargaming again and I'm really happy how its went. I thought I would bring this article back and update it a bit.)
This post comes by way of an ongoing reading of a 1st edition TSR supplement - "Dungeon Master's Design Kit", an ongoing slow education into miniature wargaming and some various blog readings, this post by Rob Conley at "Bat in the Attic": Into the First Fantasy Campaign Part 1.
Many who play original editions of D&D pay a lot of attention to the pulp aspect of the hobby, and rightly so, as the pulp fiction that Arneson, Gygax and others grew up with definitely influenced the hobby. That's why we have "fire and forget" magic, fantastic monsters, paladins and many other little idiosyncrasies that pervade our hobby. I think, at times, we tend to focus on that too much and forget that there's another leg of the stool to D&D - wargaming.
When I was first playing D&D in 1979, 1980s, I really didn't give it much thought. I didn't buy/play the modules so much, and our games were more of the "Heavy Metal" type than the plot driven type. I didn't play Forgotten Realms or Greyhawk or any of the 2nd edition settings. We weren't caught up in the movement from sandboxes to stories to railroads. It's only later, by looking back at the whole picture and reading some of the books and modules that I can see the movement from where OD&D had it's roots to where the game is today.
The Design Kit, written in 1988, is a perfect case in point. I intend on reviewing this accessory later, as a study for myself so I can write one for a sandbox, so I won't get too deep into it. It is, however, demonstrates the emphasis in the mid/late 80s onward of plot, story and three acts - intro, drama, conclusion. I find this book particularly useless in helping me in my sandboxes. [Ed note: I just couldn't bring myself to doing so. It was that bad, to me. I ended up giving it away on paperbackswap.com]
Contrast that to wargames, at least wargaming as I understand it. When I play a wargame, it's usually based on a scenario. I have a tactical (or strategic) goal, usually involving battling for territory or objectives, resources to use or obtain, terrain to deal with. The focus is small (usually) in scale.
When I read OD&D/AD&D/Holmes, I can see that lineage. When I read how the games were conducted, I can feel that direct influence. Dungeons were seen as the scenarios. Towns and NPCs provided resources. The clearing of the land and obtaining of treasure was a means to an end (holding territory) and a desirable objective so that one could move to up direct wargame scenarios. After all, why have a castle if you're not going to have followers and soldiers? Why have soldiers if you're not going to campaign on a vast scale.
This may be why OD&D's end-game (the castle/keep and the army) faded in importance. Allow me to speculate for a bit. As D&D got bigger in the 80s, people didn't want to go from adventuring to army wargaming. Although for some of us, that would have been fun, for most of the kids I played D&D with, wargaming was the domain of creepy, boring old men who cited from mysterious historical tomes and pushed cardboard counters around with the seriousness of life/death struggles. No, most of my friends wanted either more, more, more story/adventure and they wanted their person to matter to the world. Enter Dragonlance and the plot/story driven module and the rest is history.
As I play my current sandboxes, I can see the differences very clearly. My two campaigns are focused on area/territory adventuring, with player driven plots. This follows nicely of what I understand from wargaming - when I sit down to re-enact the Battle of Stalingrad, for example (you can see my Squad Leader leanings now...) it might be the Germans that win. And if we were conducting a campaign where my victory influenced the future battles of Stalingrad, well, I've just driven the "plot" of the campaign.
Maybe I'm just really as uneducated as I joke - probably most of you are nodding your heads and saying "Well, duh..." because now it does seem obvious. I think I'm going to be thinking a lot more about the wargaming roots and how they influenced the history of D&D.
In the meantime, if you see me at my FLGS picking up a few packs of 15mm miniatures and lugging around Chainmail or Horde of the Things books, don't be alarmed -- unless you want to play in my sandbox.
Addendum:
I had the pleasure of finally playing DBA face to face last week and it was a blast. I'm going to be playing a lot more DBA solo and hopefully find some more Chicago locals to play with. The gent I played with has offered to invite me to some of his get-togethers to play and I can't wait.
I've also found myself noodling about a bit with the rules on HOTT and how one could convert OD&D/Swords & Wizardry type characters into HOTT elements and make the rules "feel" like an extension of OD&D. Naturally, one would ask "Why not use Chainmail" to which I have to honestly reply "I've never played Chainmail". I do get the impression that games run long when playing Chainmail - while DBA/HOTT battles seem to be quick and dirty. I like that thought - the ability to run a mass combat game within an OD&D session, rather than the mass combat BE the session. Maybe even do this for AD&D?
If you've got some thoughts or suggestions, take a look at the thread I've got going on the OD&D Boards and let me know what you think (or here as well)? And don't be surprised if I'm buying 15mm orcs, goblins, fantasy figures and the like next year... I've caught the bug.
Some fun links: Make HOTT armies more fun, d20 D&D and HOTT
This post comes by way of an ongoing reading of a 1st edition TSR supplement - "Dungeon Master's Design Kit", an ongoing slow education into miniature wargaming and some various blog readings, this post by Rob Conley at "Bat in the Attic": Into the First Fantasy Campaign Part 1.
Many who play original editions of D&D pay a lot of attention to the pulp aspect of the hobby, and rightly so, as the pulp fiction that Arneson, Gygax and others grew up with definitely influenced the hobby. That's why we have "fire and forget" magic, fantastic monsters, paladins and many other little idiosyncrasies that pervade our hobby. I think, at times, we tend to focus on that too much and forget that there's another leg of the stool to D&D - wargaming.
When I was first playing D&D in 1979, 1980s, I really didn't give it much thought. I didn't buy/play the modules so much, and our games were more of the "Heavy Metal" type than the plot driven type. I didn't play Forgotten Realms or Greyhawk or any of the 2nd edition settings. We weren't caught up in the movement from sandboxes to stories to railroads. It's only later, by looking back at the whole picture and reading some of the books and modules that I can see the movement from where OD&D had it's roots to where the game is today.
The Design Kit, written in 1988, is a perfect case in point. I intend on reviewing this accessory later, as a study for myself so I can write one for a sandbox, so I won't get too deep into it. It is, however, demonstrates the emphasis in the mid/late 80s onward of plot, story and three acts - intro, drama, conclusion. I find this book particularly useless in helping me in my sandboxes. [Ed note: I just couldn't bring myself to doing so. It was that bad, to me. I ended up giving it away on paperbackswap.com]
Contrast that to wargames, at least wargaming as I understand it. When I play a wargame, it's usually based on a scenario. I have a tactical (or strategic) goal, usually involving battling for territory or objectives, resources to use or obtain, terrain to deal with. The focus is small (usually) in scale.
When I read OD&D/AD&D/Holmes, I can see that lineage. When I read how the games were conducted, I can feel that direct influence. Dungeons were seen as the scenarios. Towns and NPCs provided resources. The clearing of the land and obtaining of treasure was a means to an end (holding territory) and a desirable objective so that one could move to up direct wargame scenarios. After all, why have a castle if you're not going to have followers and soldiers? Why have soldiers if you're not going to campaign on a vast scale.
This may be why OD&D's end-game (the castle/keep and the army) faded in importance. Allow me to speculate for a bit. As D&D got bigger in the 80s, people didn't want to go from adventuring to army wargaming. Although for some of us, that would have been fun, for most of the kids I played D&D with, wargaming was the domain of creepy, boring old men who cited from mysterious historical tomes and pushed cardboard counters around with the seriousness of life/death struggles. No, most of my friends wanted either more, more, more story/adventure and they wanted their person to matter to the world. Enter Dragonlance and the plot/story driven module and the rest is history.
As I play my current sandboxes, I can see the differences very clearly. My two campaigns are focused on area/territory adventuring, with player driven plots. This follows nicely of what I understand from wargaming - when I sit down to re-enact the Battle of Stalingrad, for example (you can see my Squad Leader leanings now...) it might be the Germans that win. And if we were conducting a campaign where my victory influenced the future battles of Stalingrad, well, I've just driven the "plot" of the campaign.
Maybe I'm just really as uneducated as I joke - probably most of you are nodding your heads and saying "Well, duh..." because now it does seem obvious. I think I'm going to be thinking a lot more about the wargaming roots and how they influenced the history of D&D.
In the meantime, if you see me at my FLGS picking up a few packs of 15mm miniatures and lugging around Chainmail or Horde of the Things books, don't be alarmed -- unless you want to play in my sandbox.
Addendum:
I had the pleasure of finally playing DBA face to face last week and it was a blast. I'm going to be playing a lot more DBA solo and hopefully find some more Chicago locals to play with. The gent I played with has offered to invite me to some of his get-togethers to play and I can't wait.
I've also found myself noodling about a bit with the rules on HOTT and how one could convert OD&D/Swords & Wizardry type characters into HOTT elements and make the rules "feel" like an extension of OD&D. Naturally, one would ask "Why not use Chainmail" to which I have to honestly reply "I've never played Chainmail". I do get the impression that games run long when playing Chainmail - while DBA/HOTT battles seem to be quick and dirty. I like that thought - the ability to run a mass combat game within an OD&D session, rather than the mass combat BE the session. Maybe even do this for AD&D?If you've got some thoughts or suggestions, take a look at the thread I've got going on the OD&D Boards and let me know what you think (or here as well)? And don't be surprised if I'm buying 15mm orcs, goblins, fantasy figures and the like next year... I've caught the bug.
Some fun links: Make HOTT armies more fun, d20 D&D and HOTT
Tuesday, November 3, 2009
More illustration previews for Tombs of Hulkursag
There is something about the process of art where you start off with ideas and see them come to creation and fruition. It's true whether you're writing or whether you're drawing - and when the two go in sync, it's just a whole lot of fun to be part of the process.
Mark Allen/marjasall has completed the back cover illustration for the Tombs of Hulkursag as well as an overview map and the Title/Credits page illustration. Last week, I posted a portion of the pencil sketch of the back cover:
Here's the same portion from the completed, inked, colored version:
"Yes, come on - there's riches and glory untold in the Black Ziggurat!" he seems to be saying...
Mark's illustrations continue to amaze and awe me - he really captures the feel I'm going for in my module.
Mark Allen/marjasall has completed the back cover illustration for the Tombs of Hulkursag as well as an overview map and the Title/Credits page illustration. Last week, I posted a portion of the pencil sketch of the back cover:
Here's the same portion from the completed, inked, colored version:
"Yes, come on - there's riches and glory untold in the Black Ziggurat!" he seems to be saying...
Mark's illustrations continue to amaze and awe me - he really captures the feel I'm going for in my module.
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